While there are actors and writers’ guilds in Hollywood, many of these organization also have local branches. One of which is The Harlem Writers Guild (HWG, ) an organization which is also the oldest of its kind in the United States. The HWG originated in 1950 when several authors needed a new space and method of sharing knowledge, ideas and writings.
The Harlem Writers Club began as a method for helping young African-Americans interested in writing. One reason the group formed was due to the dilution of “The Committee For Negro In The Arts, ” a committee which worked to promote different type of arts and artists in the area. Then, when funding ended for the Black Arts Movement and other groups in the 1960s, the guild became part of the mainstream literary movement of New York.
The organization focused on supporting the creation, and publication of literary works by African Americans. In most cases, these were new and emerging artists. Whereas, there were some instances in where more famous authors either are, were or became members. Some of these people include Lonne Elder, III, Turner Wood, Ossie Davis, Paule Marshall, Maya Angelou and Audre Lorde.
While the organization has clearly seen success in the past, new technologies are making it difficult for some to move forward. As such, there are also individuals within the group whom teach issues related to e-books and e-readers as well as different writing techniques. In most cases, these individuals are published authors whom have been a part of the guild for quite some time.
By the late 1960s, a number of artists from different racial, ethical and social-economic backgrounds could come together to discuss issues and ideas. It was during this time that whether attending a university, or teaching at one, black and white authors became more integrated. As such, many white professors and others, left black authors feeling somewhat discouraged due to critical reviews.
Success stories such as Langston Hughes and others popular in the Harlem Renaissance of the 1920s often made it difficult for many new and emerging authors. For, while it had always been more difficult for young African-Americans to have material accepted and published, Langston’s talents made it difficult for everyone. As a result, publishing houses saw a decline in the number of submissions which resulted in many publications sending out a call for material.
The writing world has come a long way since that time. Still, it is good to have these local guilds and support groups in which experienced and emerging authors can gather to discuss ideas, review writings and share ideas. After all, ideas on the part of others can at times determine whether an article, book or essay gets published.
Ultimately, this group has gone through several different formations since the 1920s. Although, the original goal in the early 1920s remains the same. To teach young African-American writers how to develop a voice, style and tone that is captivating to all readers. Whereas, to also support in finding the appropriate periodicals, books and publishers which are often accepting of many different voices.
If you are searching for information about The Harlem Writers Guild, pay a visit to our web pages here today. More details are available at http://theharlemwritersguild.org now.
Author: Donna BrownThis author has published 1 articles so far.