During the early 2000’s, the music industry, most especially the communities of hiphop and rnb, resulted in the coming up of what we call the “super music producers”, accounting for leaders: Dr. Dre, Timbaland, Rodney Jerkins and also The Neptunes.
Exactly what is a “super producer”? Well, the most suitable example of their difference with a “simple” producer would definitely take the instance of what we call a “supermodel” in fashion, comparable to Cindy Crawford, Claudia Schiffer or Naomi Campbell. You know those famous fashion models as well as anyone else and you can see all of them on many the catwalks. In short: safe values.
That was the identical thing in the music sector: there had been “big” producers, risk free, that led almost all the projects and were looked for by the most famous singers and also rappers. This was always more secure for records label to get a reputable music producer instead of a beginner. The well-known producer provided a lots of powerful singles, in theory. Considering right at that time big producers sold discs.
However, the music business, since the beginning of the decade totally changed. To begin with, many people don’t actually pay for cd any more.
As a result the record companies invest less money for a project. And apparently, record labels shall no longer be looking to make investments between $ 100 000 to $ 300 000 for just one single beat, as was the situation throughout the time of the golden epoch of music producers. The discs tend to not sell and world wide web grows. To deal with illegitimate downloading of their artists, record companies develop or connect with statutory download websites and hope to force their visibility in this internet world, which has been getting out of their control for way too long.
But the popularity of the internet also has permitted the growing of plenty of unknown producers as good as, if not superior to, “Super Producers”.
All these producers have paying attention to the growth of the Web, that has facilitated those to sell their beats online. That allows them to reach and work with rappers on any nearby scale as well as an intercontinental one. A producer from New york City can also advertise beats to anybody in Japan. It actually is now less complicated for them to gain a very good authority to get a career. For the artists, this makes a huge difference! They can buy beats online in their own home for their album, EP and also mixtape for good prices; not even close to being those practiced by the “super producers”.
Record companies pay a special interest on this modern market. They buy beats online too. And most recently we are able to see that a few internet based producers are receiving signed by majors.
The golden epoch of super producers like the age of super models goes away gradually, revealing way to this modern market directed by producers who, often, have nothing to envy to the “super producers”.
You can buy beats online too, I strongly recommend this one. Professional , you can buy beats (leasing and exclusive) and get free beats in all different style from hiphop, pop to dance.. Unique version for reprint here: Timbaland, The Neptunes, Dr Dre…: Do The Music Industry Needs Them Anymore ?.
Author: Marcia AlvinThis author has published 1 articles so far.